The Absolute Realist: Collected Writings of Albert Renger-Patzsch, 1923–1967
This annotated anthology makes the entirety of the German photographer Albert Renger-Patzsch’s essential writings available to an English-language audience for the first time.
The Natural World
Jason Allen-Paisant, John Edmonds, David Hartt, and Nathaniel M. Stein
A commissioned collaboration between visual artists John Edmonds and David Hartt, poet and scholar Jason Allen-Paisant, and curator Nathaniel M. Stein, Natural World presents four related proposals for including silenced positions in a shared conversation about the nature of the world.
Power and Perspective: Early Photography in China
A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China.
Mapping Methods and Materials: Photographic Heritage in Cultural and Art-historical Research. Volume 9 (XXIX) of the Proceedings of the National Library of Latvia
Co-edited by PN member Alise Tifentale, “Mapping Methods and Materials: Photographic Heritage in Cultural and Art-historical Research,” the Volume 9 (XXIX) of the Proceedings of the National Library of Latvia, features new research articles by PN members Maria Garth, Leila Anne Harris, and Alise Tifentale.
Picturing Freedom: African Americans & Their Cars, A Photographic History
Stanley B. Burns, MD & Elizabeth A. Burns
Picturing Freedom, through over 450 photographs, chronicles and celebrates the photographic history of African Americans and their cars by focusing on personal images of the pride and joy of car ownership. It is an inspiring visual narrative of American life.
André Kertész: Postcards from Paris
Editor: Elizabeth Siegel
This elegant book unites all of the known carte postale prints by the photographer André Kertész (1894–1985), including portraits, views of Paris, careful studio scenes, and exquisitely simple still lifes. Essays shed new light on the artist’s most acclaimed images; themes of materiality, exile, and communication; his illustrious and bohemian social circle; and the changing identity of art photography.