Photography Network at the 2023 CAA Annual Conference
Back in person in New York, this year’s CAA conference (February 15–18) features an array of offerings in photography, listed below. Do join us at our sponsored session, The Art of Removal: Photography and Natural Resource Extraction on Wednesday, February 15, 2:30 PM - 4:00 PM, and at our Annual Business Meeting, Friday, February 17, 1:00pm - 2:00pm.
We’ll also host an informal Happy Hour during CAA, Thursday, February 16, at 6pm, at a location to be determined near the Hilton. To attend, we ask that you RSVP by emailing PhotographyNetworkRSVP@gmail.com by February 6th so that we can confirm our number with the venue.
Looking forward to seeing you there!
Wednesday, February 15
Photo-related Sessions:
2:30-4:30: The Art of Removal: Photography and Natural Resource Extraction (Photography Network Sponsored Session)
Convening: Kristen Gaylord, Amon Carter Museum of American Art
Presenting:
Emily K. Morgan, Rendering Rendering: Photographing Animal Extraction
James R. Swensen, Excavated Sublime: George Anderson’s Photographic Documentation of Bingham Canyon, The First Open-Pit Mine in the World, 1906-1913
Katerina Korola, An Extraction of Form: Modernist Encounters in and around the Mines
Allison K. Young, Notes on the Unfixed: Extraction, Landscape, and Photography at the End of the World
4:30-6:00: Format/Formation: Photography, Scale, Identity
Convening: Caitlin E. Ryan and Dana Ostrander, University of Illinois, Urbana-Champaign Discussant: Juliet Koss, Scripps College
Presenting:
Cammie Tipton-Amini, Globalization is “Common Sense”: Martin Parr Documents the 1990s
Roy Ng, Maneuvering a Monk: Photographic Scale and Buddhist Identities in Thailand and Laos
Lauren Catherine Graves, “A Gallery for the People”: The Federal Art Project Gallery’s Experiments in Scale
Amy Crum, Inside Out/Outside In: Projecting the Barrio in the Work of John M. Valadez
Additional photo-related presentations:
4:30-6:00: Art in the Age of AI Sarah Martin, University of Notre Dame
Thursday, February 16
9:00-10:30: Transnational Narratives in Early Asian Photography
Convening: Karen Fraser, University of San Francisco College of Arts and Sciences
Presenting:
Karen Fraser, Global Exchanges in Early Japanese Photography: Ogawa Kazumasa and His Collaborators
Yixu Eliza Chen,Transnational Transformation of the Photographic Chinese Female Nude
Hye-ri Oh, Sites of Transculturation: Korean Modernist Photography and Its Connection to the Japanese Education
11:00-12:30: Wayfaring: Photography in Taiwan during the Martial Law Era (1949-1987)
Convening: Shuxia Chen, University of New South Wales, and Olivier Krischer, University of New South Wales
Presenting :
Joseph Ho: Interstitial Visions: Diasporic Religion and Transnational Vernacular Photography in Cold War Taiwan
Olivier Krischer, Changing the Subject: Tsai Hui-feng and the 'documentary' image in 1960s Taiwan
Shao-Chien Tseng, Bonding with Nature: Photographing the Wilderness and Eco-Cultural Land in Taiwan
Shuxia Chen, Picturing a psychic world in 1980s Taiwan
Additional photo-related presentations:
9:00-10:30: Bringing P.A.I.N. to the Sacklers: Nan Goldin’s Campaign Against Pharmaceutical Blood Money John Corso-Esquivel, Davidson College
11:00-12:30 Gothic Images, Images of Gothic: The Promotion of Gothic in 19th-Century Photography Sarah E. Thompson, Rochester Institute of Technology
11:00-12:30 Composing the Folk: The Role of Stage Design in Interwar Rural Photography Julia Secklehner, Masaryk University
11:00-12:30 “Imagined and Described”: The Patent as Event in Photographic History Emily Glinski Doucet, McGill University
2:30-4:00 Fantasies of Korean Girls: This Isn’t What It Appears JooHee Kim, University of Maryland
2:30-4:00 AI and Objectivity: The Role of Humanistic Self-Criticality in Digital Humanities Research Amanda Wasielewski, Stockholms Universitet
2:30-4:00 “Everything hangs out”: Ralph Arnold’s skepticism of purity Gregory Foster-Rice
Friday, February 17
9:00-10:30 Photographic Futurity and Global Archives of Empire
Convening: Emily Leslie Voelker, University of North Carolina at Greensboro, and Erin Hyde Nolan, School of the Museum of Fine Arts at Tufts University
Presenting:
Ashley Duffey, Orphans, Waifs, Adoptees: Legacies of the Korean War in the Visual Culture of Transnational Adoption
Darren Newbury, Imagined African Futures in the Cold War Archive
Frances Dorenbaum, National Identity in a Transnational Archive: Unsettling the Rudolph P. Bratty Family Collection of Press Prints
Alejandro toledo Acierto, To hold, to frame, to extend, to mend: Pilipinx care within the Archive of Constraint
Jonathan Dentler, Computer Vision and the Trans-imperial Photographic Archive: The Early Conflict Photography and Visual AI (EyCon) Project
1:00-2:00 Photography Network - Business Meeting
Additional photo-related Presentations:
9:00-10:30 Drawing the Modern News Susannah Evelyn Blair, Columbia University
11:00-12:30 Invisibilities on Display: The Hashem el Madani Collection of the Arab Image Foundation Re-Interpreted (1998–2018) Elisaveta Dvorakk, Humboldt University of Berlin
2:30-4:00 "You stop and stare as I'm leavin' my favorite place”: New York City, Photography, and the 1970s and 80s Lauren Cesiro
2:30-4:00 Ngarino Ellis: Charting Constellations Ngarino G Ellis, University of Auckland
4:30-6:00 "Lilies at her feet": Sarah Bernhardt from muse to role model Liesbeth Grotenhuis
Saturday, February 18
Photo-related Presentations:
9:30-10:30 Self-Fashioning in The Studio: Barkley Hendricks’ Portraits and African Studio Photography Sahara Lyon, Florida State University
11:00-12:30 Hazy Moon, Eclipsed Sun: Between Art and Science: The Aesthetics of Astronomical Photography and Celestial Painting in Meiji Japan Ayelet Zohar,Tel Aviv University
11:00-12:30 Acts of Feeling: James Welling and the New Expressionism Alexander Ryan Bigman, Rutgers University New Brunswick
11:00-1:30 Liquid Capital: Water in the King and Wheeler Survey Photographs of the American West Elizabeth Courtney Keto, Yale University
11:00-1:30 LaToya Ruby Frazier and the Problem of Class Reductionism David Markus, New York University
2:30-4:00 Robert H. Vance’s Fortunes and/in Mining: A Transpacific Photographer, 1846-1865 Monica C Bravo, PhD, University of Southern California